March 31, 2009

Crime Author Gregg Olsen Talks about His Trade

By: Sean DeButts

Reprinted with permission from the Winter 2009 edition of "Alumni News: WWU Journalism Department" and edited by Katie Dreke.

When it comes to exposing the sinister lies beneath a facade of domesticity, New York Times bestselling author Gregg Olsen has made prolific use of his Western Washington University journalism education - and he intends to keep it that way.

"Readers are fascinated by what takes someone, especially a woman, to the dark side," said Olsen, a 1981 graduate of Western's journalism program. "That's true whether I'm writing about a mother who killed her kids or a wife who poisoned her husband."

An author-of-seven true-crime books and two novels, Olsen has received numerous local awards and has made the New York Times best-seller list for the re-release of his first novel, Abandoned Prayers, a story about an Amish serial killer.

He has interviewed a fascinating and disturbing array of criminals, including Mary Kay Letourneau for If Loving You is Wrong, and has been publicly honored by Washington's Secretary of State for his journalistic contributions to state history.

During his time as a Western journalism student, Olsen served as managing editor of The Western Front. Professor Carolyn Dale said Olsen was also the first student to serve twice as Klipsun's editor-in-chief, and that his leadership motivated reporters to turn out relevant, savvy Klipsun editions.

"I knew I was going to be a writer, and Western was and is the best journalism school in the state," Olsen said. "We got our hands dirty and did actual reporting."

Olsen said he learned the strategy for reporting crime first by interviewing police and officials, then by reviewing court documents and transcripts, and finally by interviewing the families of the victims and perpetrators.

"I think my favorite story was [when] I had a big scoop on a prostitution ringin [Western's Birnam Wood Apartments],"Olsen said. "I got to cover that, and that was very exciting. Here I am a kid from Bellevue - a suburban city, not that exciting- but this idea that we have these hookers going to college there, and we had this pimp running these girls up to Canada, was just very, very bizarre."

Olsen said crime always fascinated him, and he has long been an avid reader of local true-crime successes Jack Olsen (no relation) and Ann Rule, a biographer of Ted Bundy.

"Jack and Ann's books inspired me," Olsen said. "I could see them on TV or at book signings, so they were more than just names on a cover. I could visualize myself as an author of their kind of work. I consider both of them working journalists."

Olsen said that to break into publishing nonfiction, a writer needs to show publishers a good idea and credentials - and Olsen had both. After being published in 1990, Abandoned Prayers became the number-one-selling coupon book of the year in the Doubleday Book Club.

"It was successful almost to the point of my detriment," Olsen said. "I kept thinking, 'I'm going to sell millions and millions of books,' but it wasn't uphill all the way."

Olsen said competition from crime shows, such as CSI, has made success as a true-crime author more elusive than it was in the '90s, which he considers to be the golden age of true crime. Many of Olsen's friends and fellow writers gave up the genre.

"The guy next door might be a thousand times better at writing than I am, but I look at writing like a job, and I know every single day I've got to open the laptop, add details and shoot for 1,000 words," Olsen said. "That's the way 1 move myself forward since I don't have a daily deadline ... Most people don't have that discipline."

Olsen said that, ultimately, the market determines what heroes and villains he puts in his novels and which true-crime stories he reports.

"You want a story that has some national interest, or a good strong regional interest, but is not overexposed," Olsen said.

Whether fiction or nonfiction, unraveling the mystery of the killer's method and motive until all is laid bare is essential to the success of a crime book, Olsen said. In this regard, Olsen considers Starvation Heights, the story of a female doctor who starved-to-death more than 40 patients, as one of his greatest achievements.

"I'm very proud because that book was my little discovery," Olsen said. "The story of Dr. Hazzard [of Olalla, Wash.,] if not for me, would have been lost forever. I interviewed people who are dead now. By capturing their stories in the book, I've preserved a little bit of history."

Much to Olsen's excitement, Pulitizer Prize- and Tony Award-winning playwright Tracy Letts will adapt Starvation Heights into a film.

Since the best-selling re-release of Abandoned Prayers in 2002, Olsen has published two novels and a fourth, "Heart of Ice," is scheduled for release in March 2009. One of the scenes from the book will take place in Western's Buchanan Towers residence hall - although Olsen gives the building and Western's campus other names in the book.

Olsen said he finds writing fiction liberating because he is allowed to make up stories and borrow events and places from his own life. He has several additional serial-killer novels in the works.

"At 75 or 80, I would love to be one of those people who stays in the game, Olsen said. "I might have a less demanding schedule, but I'm a writer and I want to be able to write until my fingers don't work or there are no more stories left to tell - whichever comes first."

March 12, 2009

When Savagery Meets Civilization

By: Sean DeButts

Ethan Gage embarks on a quest for Viking treasure in the American frontier

   Ethan Gage returns in another adventure filled with innuendo, intrigue and pagan treasure. This time he travels the American frontier in 1801, in The Dakota Cipher (March 2009) by William Dietrich. While in The Rosetta Key Gage sought to keep the Book of Thoth out of Napoleon’s hands, this time Gage seeks a powerful Norse artifact called Thor’s Hammer. In tow are a cycloptic, axe-wielding Norseman seeking to use Thor’s hammer to free Norway, a captive Indian maiden in search of her homeland, a spirited but under-sized French trapper, and an enigmatic, aristocratic couple who match Agrippina and Caligula in perversity.

   As in Napoleon’s Pyramids, Gage ignites and fans his misadventure by getting friendly with the wrong woman.

   After bedding Pauline Bonaparte, Napoleon’s overly sociable sister, Gage narrowly escapes being turned into a human fireworks display by mysterious assailants. Ethan flees to America as a French ambassador with the Norseman Magnus Bloodhammer. Recruited by Thomas Jefferson to investigate the West, Ethan makes his way through the bustling post-colonial towns to trading outposts filled with mingling Indians, French and English, through the Great Lakes and finally to the windswept Great Plains, recently emptied by smallpox. At each step of his journey, Gage’s assailants trail him in his quest.

   The Dakota Cipher proves worth reading and bears Dietrich’s trademark, vivid descriptions. Dietrich makes the crowded trapper towns and the desolate plains almost tangible. The focus on Norse mythology and on Viking settlers in the new world also is an interesting shift from the series' previous focus on Egyptian mythology. However, The Dakota Cipher lacks the spark of the previous Gage novels. It has less of the over-the-top excitement and MacGyver-inspired gadgetry that made Rosetta such an adventurous romp. As an adventurer in the same vein as Indiana Jones, Gage is in his element in ancient Middle Eastern cities, where he can steal treasure from ancient temples and escape snake pits.

   That said, The Dakota Cipher sets the stage for an exciting and emotionally complex sequel. Count Silano, the arch-villain from The Rosetta Key, was only part of a larger group of illuminati who have perverse designs for the world and who want Ethan dead. The ending guarantees that Ethan can no longer remain a carefree spirit when he returns to the Mediterranean in Dietrich’s next installment, and he has a vendetta to settle.

Bill granted an interview before the release of The Dakota Cipher on Mar. 24, 2009.

The Inkwell Review:
A common theme of the Ethan Gage adventures is the inter-connectedness of ancient myths. For example, Magnus Bloodhammer draws strong comparisons between Yggdrasil in Norse mythology, and the tree of life in the Bible. Researching these different myths from different cultures and religions, has it given you any insight into mythology or human nature?

William Dietrich:
I was struck by the commonality between the different myths. The same ideas come up again and again. I had never heard until I researched this book that Odin, for example, was hung or crucified on a tree, that he was stabbed in the side by a spear. You don’t know at what point those stories entered Norse mythology. Were they Christian ideas that had filtered north, were they originally in the Norse, or were they coincidental?

IR: Which of the texts you researched and individuals you interviewed were most crucial in forming the story?

WD: I read quite a bit of information about Thomas Jefferson and about that period of the United States. I read a book on the Internet, I think it was written by Henry James, about America in 1800, and that was quite useful. I read theories about how the capital of D.C. had Masonic origin, and then quite a bit about Indian culture, and the experience of white captives with Indians. These captives were writing about what life was like with the Indians for two or three years at a time, until they managed to get back to civilization. It gave a you-are-there immediacy to what I was reading.

IR: You didn’t seem to buy much into Rousseau’s idea of the noble savage.

WD: No … it was obvious that the absence of civilization does not bring out any particular nobility, and what was interesting about the Indians was they have the same joys and sorrows that any other society does.

IR: For experiential research, did you travel to the Great Plains or similar areas?

WD: I did. I started in Detroit, actually, and made a circuit of the Great Lakes, more or less following the path Ethan did, but I was mostly on land. And then into Minnesota, and across that state. When I was in Minnesota, there was a violent thunder and lightning storm that inspired, in part, the conclusion of the book.

IR: Who were the inspirations for Aurora and Somerset? In terms of sheer evil, they seemed up there with Agrippina and Caligula.

WD: [Laughs] They were products of my imagination. They got more ghastly as time went on. For example, the sort of incestuous relationship came to me later on, while I was trying to make Aurora even less appealing. In some ways, memorable villains are even more important to a story than memorable heroes. I’m looking for ways to have these characters stick in your mind, and have you rooting for their eventual demise.

IR: That’s what happened to me at the end of the book. I wanted Aurora to get her comeuppance. What’s coming next in the Gage Saga?

WD: In the sequel, Ethan returns to Europe and winds up on a mission to the Mediterranean, and gets caught up with the Barbary Pirates, and he meets a number of characters from the earlier books, and there’s sort of a lot of twists and turns that I think people will find quite interesting. I don’t want to give away too much, but his personal life is getting more complicated all the time.

IR: Is there anything else you were hoping to say?

WD: One other thing I would add is the whole idea of whether the Norse preceded Columbus, and to what degree they did, is an interesting archaeology controversy. It’s a long way from being established that they went anywhere beyond Newfoundland, but there is some intriguing evidence, and there’s some quite serious people who are looking into it, and I had fun including that in the novel as well.

IR: Whether they actually ended up in Minnesota is tantalizing. Bill, thank you for interviewing again.

WD: Thank you, Sean.

July 26, 2008

Identity Politik

By: Sean DeButts

Natan Sharansky discusses identity, Israel and democracy

   No one can have a middling opinion about former Israeli politican Natan Sharansky. The Soviet dissident and Zionist defends democracy, supports President Bush’s occupation of Iraq, decries cultural relativism and stands by Israel’s right to exist. In an age when relativism is in vogue, he sees few shades of moral gray.

   Sharansky’s first book, Fear No Evil (1998), recounts the discovery of his Jewish identity as a refusenik resisting the KGB. The Soviet Union released Sharansky to Israel in 1986, where he founded the small Yisrael BaAliyah party. Having a hawkish reputation on security matters, Sharansky resigned from Ariel Sharon's cabinet in 2005 to protest the withdrawal of Israeli settlers from the Gaza Strip. Sharansky's second book, The Case for Democracy (2006), earned Sharansky the Presidential Medal of Freedom and meetings with President Bush.

   In his most recent work, Defending Identity: Its Indispensable role in Protecting Democracy (Public Affairs, March 2008), Sharansky presents a simple thesis: The citizens of a democracy need identities they hold dear so they are motivated defend their country.

   Those identities, Sharansky says, could be religious, national or cultural, and they can be diverse long as they are pro-democracy. As they lose their sense of identity, he says, democracies are becoming passive and have gone from being tolerant to adopting cultural relativism. Europe now decries the crimes of Western colonialism while turning a blind eye to honor killings and terrorism in countries such as Iran, and now even within their own borders.

   Sharansky proves his basic thesis beyond doubt by analyzing the role identity played in events ranging from the founding of the United States to the fall of the Soviet Union. He also is correct that democracies must stand against radicalism in the Middle East and within their own borders, while accepting the large population of peaceful Muslims.

   However, his willingness for America and Europe to take a military stand abroad and to impose democratic principles in the Middle East is hasty and potentially disastrous. The West did successfully impose democracy upon Imperial Japan and Germany, countries with ancient un-democratic cultures. However, the French attempt to impose republicanism on the Middle East from 1798 to 1801 was a debacle, and in recent years, the majority of Russians have willingly abandoned democracy for state-controlled media and secret police. Some cultures have to be brought to democracy through diplomatic pressure and by example.

   Nevertheless, Defending Identity deserves a reading by those seeking a way for democracies to flourish, and by those who want to preserve both order and diversity in a globalizing world.

On July 14, 2008, the 30th anniversary of declaring his innocence before the Soviet Court, Natan Sharansky interviewed by phone with The Inkwell Review. He also answered audience questions on July 16, 2008 at Town Hall Seattle after his speech. He spoke with a thick Russian accent and an earnest tone as he discussed issues regarding identity and especially Israel's present struggles.

The Inkwell Review: Your identity as a Jew has been very important to you in promoting democracy. Do you believe that a people’s identity has to have a religious component to defend democracy?

Natan Sharansky: No, but the religious component is one of the most strong because it’s very difficult to neutralize with rational argument, because what, after all, is the totalitarian regime trying to do? It’s trying to discover rational arguments to prove your physical survival [depends on obedience]. That’s why, for the sake of physical peace, you will give away everything ... Your irrational desire to resist and to keep your inner freedom is very important, and here, based of course with an extremely strong component in the identity. It’s not accident that our Pentecostals, and other Christians and Jews were people who were so difficult for KGB to destroy. But what I am saying is that it’s not necessary that those who don’t have this religious component of identity … but the feeling which I discovered for myself, of belonging to this great history, feeling that your struggle is a continuation of exodus from Egypt, is an almost mystical feeling … the feeling of continued struggle for freedom which goes back 2,000 years.

IR: Considering things that happen in the past century, with the world wars, how do you prevent one’s identity from conflicting with protecting and respecting the rights of others?

NS: You are right that if identity is not restricted, or is not supported, is not defined by the desire to be free, the feeling the feeling of democracy, then it can become totalitarian and chauvinistic. But, on the other hand, you can say that if the feeling of freedom is not anchored with identity, then this freedom is decadent, is powerless, is weakened. What I’m saying is that the real [inaudible] of meaning and stability, means democracy and identity should not be enemies. To the contrary, they are the real allies … People may have very different views than you have, very different faces than you have, but if they are true to an ideal, free society on the one hand, and on the other hand there are things more important than physical survival, then they are your real allies in the struggle for freedom, and that’s true about individuals, and that’s true about societies, and that’s true about states.

IR: You’ve said that the universities in Europe and America especially are hotbeds of cultural relativism and post-identity. What do you think professors and students should do try to counter this?

NS: I visited dozens and dozens of campuses in America and Europe … [I tell them] okay Europe, you care about human freedom, I also care about freedom. So let’s see these people to whose identities you are so sympathetic, whether these identities are connected to freedom. We will see that all these big heroes, whether it is Che Guevara or Yasser Arafat, in fact they are some of the most awful violators of human rights.

Audience Member: Thank you very much. It was an honor to hear you tonight. I would appreciate it very much if you would comment and give your opinion of the appropriateness of the Israeli government’s negotiations with both Hezbollah and Hamas over what was hoped to be the release of the two soldiers kidnapped in 2006, and particularly whether it was appropriate for the Israeli government to release alive a convicted child murderer for the bodies of two killed soldiers. Thank you very much.

NS: Israel is built on the idea of solidarity and responsibility for every citizen, for every Jew in the world who is not a citizen, and that is true for every soldier … having said all of this, not every price should be paid even for the life [of a soldier] … The previous decisions about exchange of terrorists for the bodies of our soldiers, which was taken when I was in the government, and I was absolutely against it.
   The night before voting, Ariel Sharon called me, and I have great relationship with Ariel Sharon, and he always respected my opinions … he called me at home and said, “Natan, you are the one who was in prison. So you have to know better than anybody else how it is important that the state makes efforts, and I ask you to support my proposal tomorrow.” And the idea of the proposal was that we will release 400 terrorists and we will get the bodies of our three soldiers, and the release of one drug dealer who went to make a drug deal … I told Ariel Sharon, “Yes, I was the one in prison .... When I was proposed by [Soviet] soldiers to be released on the condition I thought was damaging … I refused and spent another three years in prison before I was released without those conditions, and I think that the release which you are proposing will serve as a great motivation for Hezbollah to continue kidnapping soldiers” … Unfortunately that deal took place ... We cannot afford to look weak in the eyes of our enemies, and I am afraid that that decision of the weak government and the government, and should be replaced by strong government [Audience claps].

Audience Member: President Bush was a big fan of your last book. I think it was The Case for Democracy. My questions may be somewhat rhetorical, but do you think that he, and particularly Condoleezza Rice, made a colossal blunder in not understanding how what you were talking about building the infrastructure of democracy, to have independent judiciary, free ... rather than jumping right to that?

NS: You have to understand that President Bush was not simply vocal sympathizer with the point of my book. He invited me after reading The Case for Democracy and we had a number of conversations. He really, deeply believes in this power of freedom. He said to me on the first meeting, “All my life, I tell them that freedom is not American invention. It’s something that God gave to mankind …”
   Having said all of this, no doubt there are number of points on which we disagree, and maybe the most important is that, in that book I explain it, and it was before Hamas came to power, that elections by themselves are not freedom, are not democracy. Free elections and free society, that is freedom … When the time came for the elections America pressed on Israel to accept Hamas as a partner in the elections … Clearly only those who recognize the right of Israel to exist, have the right to expect to be in the process. The day of elections I was at the White House and saying, “In some hours we will know the results of elections. All the world will say, ‘That is the Bush Doctrine.’ You see Hamas coming to power. That’s your last opportunity to explain they have nothing to do with this.’” Unfortunately, American leadership did not have the courage to do it, or really didn’t feel, as president Bush was telling me, believes it’s a positive thing that Hamas was given an opportunity for elections, and that Hamas came to power. The world now sees the real face of Hamas.

Audience Question: You spoke, I think, about the Arab hatred of Israel, and the desire to strike, and of course the underlying basis for this hatred comes from the Islamic concept of Jihad, of Dar al-Islam versus Dar al-Harb, the World of Islam versus the World of War. How deeply rooted is this in Arab society, and if democratic elections were held, in your view, what percent of the population … would be willing to abandon this religious-driven desire to take back what the world of Islam lost?

NS: I think in your question you mean that all the Arabs want state of Jihad against all non-Muslims, and I disagree with this. I am not a big specialist on Arabic World, but I live and work with many Israeli Arabs. And for the majority of them, the idea of jihad against Israel is the most far, hostile idea, because they want to enjoy life as loyal citizens of Israel, to enjoy all of the advantages of the life and freedom of democratic Israel, and at the same time, keeping their identity. Some of them are secular, some of them are religious. I was Minister of Interior and I had to deal with many attempts of bribery of Israeli authorities by Palestinians who wanted to become Israeli citizens. I didn’t see even one case that one Arab citizen of Israel wanted to give away his Israeli citizenship and to get any citizenship of Muslim country.

Audience Member: A question pertaining to the conversion-identity problems in Israel right now … Who in your opinion should decide these questions of Jewish identity, and how do you think this can be resolved in the easiest and best way?

NS: When I was speaking about identity, I didn’t mean any specific, official definition … Identity is a very individual feeling and I know there are Jews who are at very different levels absorbance, including secular Jews who have this feeling of belonging to Jewish nation. From my point of view, if they are right, they are all Jews. … The state, when it decides to whom we are giving this [status of being a Jew], it must have some definition, because if definition is individual, everyone decides about himself or herself, you suddenly have hundreds of millions of people coming from Africa, and insisting that they get citizenship. So here there is a big question, because we are in the process of rebuilding up as a nation after people came from 115 different diasporas … Secular Jews and Orthodox Jews, from my point have to blend equally … The moment that one group tries to impose by law their rules on the other group, everybody is a loser.

Audience Member: The Jews who stayed in Russia, do they have the desire to assimilate as previous generations did, and will they lose their identity if they do assimilate in Russia?

NS: The state of Jews in Russia is different now in two ways. First of all, they can leave if they want, and as you know, the majority left. Second is that if they want to live as Jews, to build their community, to have synagogues, to have Jewish schools, they can do it. Many thing in the last years changed for the worse in Russia, but this thing didn’t change. [Russian President] Putin told me in year 2000 that he believed it was a big mistake for the previous regime when they thought that Jews who want to be with Jews are enemies of the state. Now he thinks Jews can be great bridge between Russia and the West. So, unfortunately many things that Putin will say happen to be wrong, and he changed many things for the worse, but on this, the official policy of Russia continues to be that if you want to live as part of Jewish community, you can. That’s why I don’t think all those who stayed will assimilate.

July 13, 2008

Tribute to an Unlikely Mistress

Sandra Gulland discusses her creation of Mistress of the Sun

   The author of the Josephine B. trilogy, tells the life of an obscure and endearing heroine for her most recent novel, Mistress of the Sun (HarperCollins, June 2008).

   Louise de la Vallière was a contradictory character unsuited to court life, yet against all odds she became the mistress of Louis XIV, King of France from 1661 to 1715. Louise was a rustic tomboy who rode a wild horse in the countryside, yet spent her early years contemplating God in a convent. She feared God, yet gave in to human desires. When her lowly family maneuvered her into the new king’s court, she found a realm where her innocence and intellect were a liability. Her friend Athénaïs explained that in The Sun King’s world, self-interest is behind every banquet and every dance:

“Lucrative is the magical word: everything turns on it. It is the magical cipher that makes all things clear … The King’s regard is highly coveted … A woman of the court, even a princess, will do anything to get his—friendship.”

   Yet Louise’s innocence captured the king's heart. Wanting nothing from him but love, she became The Sun King's official mistress, and the two experienced a brief, affectionate love before the realities of duty hardened the king and forced Louise to make a difficult choice: To retain a shadow of The Sun King’s love through cunning and deceit, or to retreat into quiet obscurity.

   Sandra Gulland’s prose is witty and engaging, and her greatest accomplishment in Mistress of the Sun is realism. She does not write a fairytale, nor does she shy from the earthy realities facing women of Louise’s era: childbirth, contraception, gossip and ruined reputations. Most importantly, she convincingly portrays the thoughts of a rustic, pious woman who rose to prominence and fell to ill repute, and all the while maintained a quiet integrity.

Gulland answered questions about the creation of Mistress of the Sun at the Bellevue Library, in Washington state.

Inkwell Review: Why did you choose to write about Louise de la Vallière?

Sandra Gulland: I finished that first part of Josephine Bonaparte's story, and I said, “Let’s take a break from the Napoleonic Era, and I’m going to spend a year just writing a rough draft of Louise de la Vallière's story." Her story is not very well known, not even in France, but what intrigued me was that she was described as a very timid person, something of a wall flower, yet she was ferocious on horseback, and quite the hunter. It was said she could outride and outhunt the king and his men. Now, for a woman in the 17th century to be as amazing an athlete as the king was incredible. Clearly she was not a timid woman, and clearly she was spending most of her time in the stable, and on horseback. She walked with a limp due to a riding accident. She was really looked down upon. She was an athletic woman, a horse-crazy tomboy. She was a philosopher and intellectual.
   The other thing that intrigued me about her was that she was a very devote, good Catholic, yet she became a fallen woman. How did that happen? How did she justify it?

Audience Question: Can you talk about your research?

SG: I spent eight years researching this book. A lot of that was researching the period in general, and researching the different characters. I consulted experts in the field. I read biographies as well as 17th century guides to manners, to midwifery, to horsemanship, 17th century sex guides [audience laughs]. All of those things, just to get a sense of the atmosphere of the era. It took quite a bit of time to understand the 17th century mindset.
   I also did experiential research. For example, I spent a week on horseback and, I also saw what it would be like entering into a castle courtyard. It was wonderful experience. Since Louise and many of the people in court were religious, I spent a week in a silent monastery. Site research is also very important. I actually stood in Petite’s barn where she grew up.

IR: What draws you to write about the French nobility?

SG: [Pauses for a few seconds] That’s a question I ask myself. There’s something very fanciful about French history, something very theatrical, very passionate philosophically. It's unique to France. Other histories are more somber. I always think of this painting showing foreign ambassadors paying homage to The Sun King, and they’re all in black, wearing capes and bowing, and there’s The Sun King covered in pink lace and ribbons and bows, and he’s just this peacock. And when I think of that image, I think, "This is what I love about French History." The Sun King was an excellent king, he was excellent militarily, but every afternoon there was a hunting party, and every night there were theatrical performances and concerts and balls. He was also a dancer, and the dances were very balletic. He starred in many of the court performances.

IR: He was definitely flamboyant; he played Ceres in one of the plays in the novel.

SG: Yes. That I found online, because you can discover who played what in which act.

IR: Is there a tension between making characters in historical novels interesting to modern readers, while keeping their behavior historically accurate?

SG: It’s very challenging. It was especially challenging in writing this book because Louise becomes a nun. For her, this is a fulfillment of her true self, and to have the modern readers applaud that was difficult. To have the modern reader understand where she was coming from and how important this was and how it was a victory. That was my challenge, because we’re not in a society that says, “Hurray! You ran off and became a nun.” It’s not our ethic. Plus, she had to leave her children. I had to make it clear to the reader how narrow her choices were, and that’s very difficult.

IR: Do you have any future novels planned?

SG: Yes, I’m thinking about it. This is the very first time that I haven’t known exactly what I would be writing about next, although I thought I would write about Athénaïs. I might yet, but having been so close to Louise, now I’m not so sure I’m ready to do that. I’m more likely to write about the king’s cousin.

IR: Given a choice, would you choose to live in our age or the age of The Sun King?

SG: Ours, for sure. That’s one thing I came to appreciate, is how lucky we are. For one thing, just reading details about the life of a woman and midwifery. I’m so happy to live in this age, but I would love to be in the court of The Sun King for a day.

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